Drew Dixon is a music producer, entrepreneur, and activist, who conceived the iconic duet "I’ll Be There For You - You're All I Need" (Method Man f. Mary J. Blige) and spearheaded the recording of songs like "My Love Is Your Love" (Whitney Houston), "Maria Maria" (Carlos Santana), "American Boy" (Estelle f. Kanye West), and many more. A graduate of Stanford University and Harvard Business School, Drew came forward in 2017 as a victim of sexual assault in the #MeToo movement and later joined a coalition of survivors to advocate for the watershed Adult Survivors Act law in New York, which, during its one-year look-back window, yielded over 3000 lawsuits including E. Jean Carroll’s suit against Donald Trump and Casandra Ventura’s lawsuit against Sean “Diddy” Combs. Drew currently lives, works, and conceives cool things in Brooklyn.

In hip-hop’s Golden Era, Zeb helped reshape Connecticut’s radio landscape, reaching nearly 50,000 listeners weekly across the Greater New Haven area without any major marketing, sponsorship or corporate backing, and established a blueprint for the success of future formats putting the burgeoning genre front and center.

Wearing multiple hats as on-air personality, producer and Music Director at WYBC 94.3 FM, Zeb was part of the station’s early success story.

She co-hosted the state’s first commercially successful hip-hop format - The Power Hours Rap Show - blazing a trail for Hot 93.7 and 100.9 The Beat. The Power Hours was one of the first to do it with a female on the mic, earning marketshare alongside programs in New York featuring talent like Red Alert, Marley Marl, Chuck Chillout, Stretch & Bobbito, the Awesome 2, and Funkmaster Flex.

One of WYBC’s first female deejays, Zeb was a mixmaster in her own right, spinning on Technic 1200s and producing in-house remixes live on the air during her solo weekday show.

As Music Director, Zeb curated the station’s library directly from major and indie label execs in New York and in L.A., securing early access to new releases that kept the station’s sound fresh and influential. This yielded interviews and guest appearances with artists like Salt N Pepa, Nikki D, the late MC Trouble, Kool G. Rap & DJ Polo, Fat Joe, R&B group Today, comedic actors Martin Lawrence and Chris Rock, and promo opportunities with Big Daddy Kane and the Lost Boyz.

Zeb’s indelible impact on Connecticut radio and the local hip-hop community still resonates loudly. As her favorite artists once said, she “paid the price to make the mic sound nice.”

Rahsaan Langley performs high-energy dance music reminiscent of the golden oldies mixed with today's hits for all ages to enjoy while dancing & singing along. Rahsaan's voice is refined, smooth, and soothes the soul. He has the ability to show emotions through his music and brings listeners to a happier place. Rahsaan has been in the business for more than 20 years and has helped develop, create, and produce some of the most influential songs and artists in the industry. He toured with seasoned artists like the late great Gerald Levert, R Kelly, Mint Condition, and Uncle Charlie, and aided with Big L’s success in going gold. Rahsaan worked for years as an in-house producer for Teddy Riley and worked side by side and produced for Lauryn Hill, Talib Kweli, Joe Budden, Gerald Albright, Tony Toni Tone, 702, Misa(Japan), Teddy Pendergrass, Tony Terry, Bobby Brown, Whitney Houston, Glenn Jones, Blackstreet, Wrecks N Effect, David Miller, Shomari, The Fugees, and LL Cool J.

Sat, June 19, 2021 - 3:00pm1 hr

Kim Holmes has emerged as one of the premiere and influential luminaries of the urban dance movement. With unparalleled vibrancy, sensuality, and versatility, Ms. Holmes has been coined as the “Josephine Baker of Hip-Hop”. Pulling from her formal training in African, ballet, jazz, modern, and contemporary as well as house and hip-hop, Ms. Holmes has sought to redefine the face of the hip hop/urban dance movement.

Over her professional dance career of 20 years, Ms. Holmes’s evolving intrigue in hip-hop, house and contemporary has lead her to tour and work with performers, choreographers and artists such as: Beyoncé, Missy Elliott, Elite Force, Brian “Footwork” Green. Robin  Dunn, Opus Dance Theatre and many others. 

Ms. Holmes’s rise within the entertainment and dance world, combined with her unique, stand out, lively performances has made her a sought after teacher for master classes in reputable institutions across the country and around the world:  Alvin Ailey Arts and Education Foundation, Broadway Dance Center, Peridance, Hunter college, NYU and The Opus Dance Theatre Outreach Program to name a few and a role in Tyler Perry’s “For Colored Girls”.

Dancer, choreographer, teacher, producer, and director, Kim Holmes never ceases to amaze audiences worldwide as she accepts the challenge of conquering different facets of entertainment to continue to contribute and uphold the legacy of urban dance.

DJ Too Much is an internationally recognized DJ, cultural curator, and entrepreneur known for commanding stages, curating unforgettable experiences, and bringing high-energy soundtracks to some of the most celebrated events in the country. With more than two decades behind the decks, she has built a reputation for electrifying crowds, seamlessly blending genres, and creating moments that keep dance floors moving long after the music starts.

A self-taught DJ who began her journey at just 17 years old, DJ Too Much has grown into one of the most dynamic and sought-after DJs in the event and festival world. Her ability to read a crowd and craft the perfect musical atmosphere has made her a trusted DJ for luxury celebrations, major cultural events, and high-profile corporate experiences.

Courtney Brown is a veteran journalist, editor, and dedicated Hip-Hop Historian who has spent over two decades documenting the pulse of the culture. Best known for her deep-rooted ties to the industry's most influential figures, Courtney has built a career centered on authenticity, preservation, and the art of the interview.

A former editor for the legendary The Source magazine, she played a pivotal role in shaping the narrative of hip-hop during some of its most transformative eras. Today, she continues that mission as the host of The Boogie Brown Show, where she unearths "lost audio" and conducts long-form conversations with icons like Pharrell Williams, Fat Joe, and Busta Rhymes.

Based in New York City, Courtney balances her work as a storyteller with her role as an event curator, always aiming to bridge the gap between hip-hop’s storied past and its vibrant future. Whether through her writing or her podcast, she remains a vital voice in ensuring the legends of the genre are never forgotten.